Patterns at Play: Fractals in Nature is an original exhibition that invites you to take a closer look at the universe’s curious practice of self-organization. An immersive, family-friendly experience, the exhibit encourages you to build your own patterns while an animation creates new fractals right before your eyes. Visitors should expect to play, touch, listen and watch in this whimsical exploration of nature.
At the dawn of the 20th century, the Indigenous peoples of North America regularly faced narratives that they would soon disappear, be it from artists, academics or politicians. Yet Japanese immigrant and photographer Frank Sakae Matsura (1873-1913) approached his artistry differently. He arrived in the U.S. in 1901 and made Okanogan County, a rural expanse of High Desert in northern Washington state, his home. There, he grew strong relationships with the area’s tribal communities. The resulting body of work includes some of the most visually powerful and nuanced images of Indigenous people from the era.
Featuring more than one dozen contemporary works, accomplished painter Hilary Baker explores the complex relationship between manmade spaces and native wildlife. Highlighting iconic architecture and wildlife as both prominent and enigmatic, each work invites an encounter and raises questions about our own proximity to wildlife.
Flannel is more than a fabric. Flannel shirts, jackets and undergarments have played an important role for laborers in the High Desert. Workers have donned flannel as they logged trees and roped cattle. Later, grunge counterculture adopted flannel as a nod to nonfashion. Blood, Sweat & Flannel explores the region’s labor history though the lens of the beloved fabric.