At the dawn of the 20th century, the Indigenous peoples of North America regularly faced narratives that they would soon disappear, be it from artists, academics or politicians. Yet Japanese immigrant and photographer Frank Sakae Matsura (1873-1913) approached his artistry differently. He arrived in the U.S. in 1901 and made Okanogan County, a rural expanse of High Desert in northern Washington state, his home. There, he grew strong relationships with the area’s tribal communities. The resulting body of work includes some of the most visually powerful and nuanced images of Indigenous people from the era.